Friday, May 13, 2011

Who Wants to Ride the Bandwagon?

The self-publishing bandwagon, that is. I’m sorely tempted to do it, just to see what happens. The steampunk I’m working on feels really good (I have no idea if it actually is), and I’m thinking I might publish it myself. An author friend who’s also a very talented graphic artist has offered to do the cover for free. I have someone who’ll edit it for story (I don’t need it for grammar and syntax). I have proofreaders. All that’s stopping me now is nerves. Or rather, a lack of nerve.

It’s amazing to contemplate how fast the publishing industry has changed in the last year or two. For hundreds of years, publishers owned the only distribution channel. If they didn’t deign to buy your manuscript, you’d never be anything more than an aspiring author. There have always been small or indie presses, and some of them succeeded, but most failed. And there have always been people who wanted to see their words printed and bound so badly that they’d pay for it themselves. But self-published authors have always been objects of pity and scorn, never taken seriously.

Until the advent of ebooks and, I think, the economic implosion. The economy socked it to the old print publishers at the same time that the ebook market exploded. Two years ago the president of RWA was very public in her contempt for e-publishing, and a lot of established authors agreed with her. Today, NY authors are signing contracts with epub houses. Two years ago, a lot of writers who signed with epublishers intended to make ebooks a stepping stone to print. Today, a lot of those same authors look at the economic state of print publishers—and bookstores—and are quite happy to stick with electronic publishing.

Two years ago, even e-pubbed authors would’ve been aghast at the idea of self-publishing. Today all the cool kids are doing it.

If you’re an author, I know you’ve thought about it. Come on, admit it—you’ve read about Bella Andre, and Amanda Hocking, and Joe Konrath, and you’ve thought—okay, yeah, it’s just a tiny, tiny fraction of self-published authors who make those kinds of figures but hey, why couldn’t I be one of them? (The “gold rush” metaphor used in the Bella Andre article is particularly apt. In real gold rushes, a horde pours into the gold field, but only a handful end up striking it rich.)

Bella Andrea and Joe Konrath were already traditionally (i.e., print) published authors. I think if you’ve already been published, whether in print or in pixel, you stand a better chance of selling your self-published work. It’s not just that you already have a readership, although that will certainly give you a higher profile on the retail sites.

It’s also that you’ve already been through the editing process—you know how important editing is, you know your first draft is only that, you have a better feel for what makes a story ready for publication. There are a lot of crap books being self-published, and it’s usually because first time authors have never had their work reviewed and critiqued by somebody else. They don’t know how much better their book could be.

Unlike some people, though, I don’t think that the whole concept of self-publishing is tainted just because ninety percent of the books are crap. Ninety percent of most anything is crap—television, movies, music, fashion and, yes, books.

If you’re a reader, I’d be interested in your comments. Have you ever purchased a self-published book and, if so, what did you think of it?

Thursday, May 12, 2011

Love's Savage Whiplash Chapter One: The Duke Takes a Powder


Wherein the Duke, upon finding himself in Dun Street, opts for a Daring and Adventurous solution to his monetary embarrassment.

It is a truth universally acknowledged that a duke attempting to avoid his guardian must be in possession of a Very Good Excuse.
“Oh hullo, Uncle,” Colin Darcy, Duke of Earl, stammered as he stepped into the drawing room (where he’d had good reason to believe his uncle was not present), “I was just going…um…hunting. Yes, hunting. For, well, foxes. Or possibly rabbits. Maybe pheasants.”
“Sit down,” Uncle Willoughby growled.
“Actually, I heard there was a wolf in the neighborhood,” Colin continued. “The tenants will undoubtedly expect me to take care of it.”
“There are no wolves in Shropshire,” his uncle snapped.
“We live in Shropshire?” Colin’s forehead furrowed appealingly. “I thought it was Kent.”
Uncle Willoughby waved a negligent hand. “Whatever. It’s time we had a talk, boy. Sit down.”
Colin’s heart fell. This was going to be another of those Talks, wherein Uncle Willoughby informed him of bad news that he, the duke, would be expected to do something about. But since he wasn’t really the duke yet in anything but name, he wouldn’t be able to do anything about it except worry. And he hated worrying.
“Really, Uncle,” he tried once more. “Is this truly necessary?”
His uncle merely raised an eyebrow, pointing steadfastly at the carved wooden chair in the corner. Of course, he’d chosen the most uncomfortable seat in the room. Sighing, Colin subsided against the sharp points of the Battle of Hastings engraved on the chair back.
His uncle clasped his hands behind his back and began to pace back and forth in front of him. “My boy, as you approach your majority, it’s time you understood some hard facts about your situation.”
Colin wondered how he could be a majority when there was only one of him, but he decided not to interrupt. Perhaps his uncle would reach whatever point he planned to make more quickly that way.
“To put it plainly,” Uncle Willoughby continued, “the estate is penniless.”
Colin frowned. Thinking always involved frowning. “No pennies, eh? What about the pounds? And the…er…shillings. And so forth.”
Uncle Willoughby paused, staring. He did that frequently when he talked to Colin, for some reason. “We. Have. No. Money,” he said slowly.
“Oh.” Colin blew out a breath. “Well, that’s a problem then, isn’t it?”
“Yes,” his uncle said between his teeth, “it’s a very definite problem. One which you, as duke, must take steps to solve.”
“Me? How am I to solve it? I mean, we can’t exactly sell anything, can we? The estate’s all entailed and what not.”
“You will solve it by the traditional way in which dukes have always solved money problems. You will marry a rich heiress.” Uncle Willoughby was back to growling again.
“A rich heiress?” Colin frowned again. “I’ll have to find one, won’t I? Suppose I’ll have to go to London for the Season. Don’t know any right off.”
“I’ve already found one for you.” His uncle resumed his pacing. “Lady Chastity Feelsgood of the Devonshire Feelsgoods. She’s rich as Croesus and she’s young enough to supply you with an heir. Everything you need in a wife.”
“But.” Colin frowned more ferociously. “But I don’t know her. I’ve never even seen her. Shouldn’t one at least meet one’s intended before agreeing to marry her?”
Uncle Willoughby gave an explosive snort. “Nonsense. You’re a duke, boy. Marriage is just another business transaction. You’ll meet Lady Chastity when you sign the marriage contract. Plenty of time for a conversation or two. Now go and tell that frog valet of yours to spruce up your courting clothes.”
Colin sighed. He was quite certain he owned nothing approaching courting clothes. Perhaps the mourning suit he’d worn to Great Aunt Sophonisba’s funeral would do.
####
Colin sprawled in a corner of the nursery, listening to the governess, Miss Fitzgerald, read to his ward, Ward. He wasn’t entirely sure what his connection was to Ward. When Miss Fitzgerald had suggested that most dukes had wards and that Ward was available for the position, he’d taken her up on it immediately. In reality, he wasn’t sure where Miss Fitzgerald had come from either. She’d simply appeared one day with Ward in tow. Thus he’d acquired the requisite ward and governess in a single fell swoop, as it were.
He was still trying to fulfill his duties as a duke, after all. Although marriage to a complete stranger seemed a bit extreme. Colin still treasured daydreams of perfect maidens swooning at his feet. Or perhaps imperfect maidens swooning elsewhere.
“So there you have it,” he’d explained glumly to Miss Fitzgerald and Ward. “I’m to be married to some local gel I’ve never met. Pots of money and all. Apparently, the estate’s up the River Tick and I’m to marry this female to set it back to rights.”
“How dreadful,” Miss Fitzgerald murmured. “But I’m sure you’ll do your duty with a firm heart, your grace.”
“How did the money disappear in the first place, if you don’t mind my asking, sir? Shouldn’t you be checking that out?”
Ward was a curious lad. Quite precocious. Always asking questions. Colin ignored him, as usual. If one listened to him, he only went on talking. “Do carry on, Miss Fitzgerald. Go on reading or whatever it is you’re doing with the nipper here.” He closed his eyes, cushioning his head in his hands, ruminating on his fate.
After a moment, Miss Fitzgerald’s soft voice broke through his reverie:
“Little is known about the early life of Blackbeard the Pirate. But his ship became the most fearsome scourge of the Caribbean. With his thick black beard, he had a most terrifying appearance; he is reported to have tied lit fuses in his flowing hair to frighten his enemies. Blackbeard used his alarming reputation instead of force to elicit booty from those he robbed. While he was a blackguard, there is no indication he harmed any of those he held for ransom after removing them from their ships.”
Colin sighed again. Pirates weren’t responsible for penniless estates. Pirates didn’t have to marry complete strangers. Pirates sailed around the Americas tying lit fuses to their hair. “Perhaps I should become a pirate. It sounds an interesting life.”
Miss Fitzgerald nodded vigorously. “Very interesting indeed, your grace, not to mention stimulating. Exciting. Exhilarating. And quite romantic.” She sighed as she stared out a nearby window at the rolling lawns of Netherloin, blinking away a furtive tear.
Ward frowned slightly, his hair flopping across his furrowed forehead. “I’m sure the experience wasn’t very exciting for the people Blackbeard kidnapped. And aren’t most pirates thieves and murderers? And wasn’t Blackbeard beheaded by the British fleet in his last engagement?”
“Simple misunderstandings, I’m sure,” Miss Fitzgerald said, patting Ward stoutly on the head.
“It seems to me that ninjas are much more admirable,” Ward continued, rubbing his head. “They protect the weak. And they’re fantastically skilled. And they have much more interesting weapons. Shurikens, for example. Star-shaped throwing devices.”
Colin was intrigued in spite of himself. “Ninjas?”
“Japanese warriors,” Ward said dreamily. “They specialize in unorthodox fighting methods. They’re masters of combat and espionage. Much more interesting than the average pirate, bludgeoning away.”
Miss Fitzgerald cleared her throat sharply. “Ward dear, I’m sure his grace is uninterested in heathen fighting methods. Pirates are, after all, English. And people who throw themselves on their own swords in times of distress are hardly to be emulated.”
“Ninjas don’t throw themselves on their own swords. That’s samurai.”
“Whoever it is,” Miss Fitzgerald said between her teeth, “the subject is closed.”
Ward gave her a narrow-eyed look but said nothing more.
“Miss Fitzgerald, you have convinced me.” Colin leaped to his feet. “I shall turn to piracy. Far better than marriage to a stranger, no matter how rich.”
“Have you ever sailed a ship before?” Ward asked.
“No, but it can’t be much different from driving a carriage. That’s dashed hard, I assure you.”
“And don’t you have responsibilities here—to your tenants and the people who work at Netherloin?” Ward continued.
Colin waved an impatient hand. “I’m sure they’ll manage. Meanwhile I’ll be on the high seas. Living the life of a swashbuckling buccaneer.” And avoiding marriage to the unknown Lady Chastity Feelsgood.
“But…” Ward began.
“Ward dear, I’m sure it’s time for your warm milk,” Miss Fitzgerald said quickly.
Ward grimaced. “If I stop talking, can I skip the milk?”
“We’ll see. Run along.”
Ward ran.
“We shall miss you, your grace,” Miss Fitzgerald said, wiping away another tear.
“Can’t be helped, I’m afraid. I shall return when I attain my majority.” Colin still wasn’t sure what that meant, but it sounded grand. “Take care of the nipper. And watch out for my uncle.”
He opened the casement, ready to climb down the vines tangled on the walls of Netherloin, then, glimpsing the distance to the ground below, decided to use the stairs instead. “Farewell, Miss Fitzgerald.”
“Farewell, your grace.” Miss Fitzgerald waved her hanky appealingly as Colin strode from the room. He felt like buckling a few swashes already.

A Word to you, Our Dear and Gentle Readers: If you enjoyed this small offering, please do us the honor of returning to grace our humble blog with your presence one week hence, when we shall be delighted to bring to you the next installment of our little saga, which is to be entitled, Chapter Two: Pirate Vs. Ninja.
And please partake of our Love’s Savage Contest. Leave a comment here or go to our Facebook page (link in the column on the right) and quote your favorite line from this week’s episode to be entered in a monthly drawing for a giftcard at the bookstore of your choice and a grand finale drawing for a signed e-reader cover.
Cordially,

Wednesday, May 11, 2011

GETTING AWAY WITH MURDER

Murder. Prostitution. Lying. Cheating. Stealing. Things we all would likely agree are bad. Wrong. Can heroes and heroines in books get away with doing those things?
I got thinking about this after one of my books (Love Me) was reviewed last week at Dear Author and there was an ensuing debate about cheating.
As a writer, I'm interested in characters who aren't perfect, characters who may do things that seem wrong, sometimes because they make a mistake, or sometimes because of an excruciatingly difficult choice. I’m interested in exploring why they would do such a thing, what they learn from it and how they grow.
We all know that a character who is completely bad is not going to be sympathetic to readers. He or she is not going to be someone readers will be interested in reading about, someone they will be rooting for. A character who steals just because he's too lazy to get a job isn't sympathetic. On the other hand, a character who lost her job in the recession, lost her home in the subprime mortgage meltdown, who is now homeless, whose child is sick and hungry and who has no health insurance, a character who feels humiliated and desperate to keep her family alive—it's entirely possible this character could come across as someone we relate to and root for, even if she steals food for her family.
Most of us would definitely agree that killing is wrong. A character who commits a murder because it gives him a feeling of power and pleasure to take another life, or so he can rob someone, is not going to be sympathetic to readers. But what about a Navy SEAL who raids a top secret compound housing the most wanted terrorist in the world and puts two bullets into that terrorist? Would we understand and sympathize with his motivations? Would we consider him a hero?
And yet both those situations involve taking another life.
Few of us would attempt to write a story with a heroine who is a prostitute, but it’s been done successfully.  Lori Foster's When Bruce Met Cyn features a heroine who escaped a childhood of neglect and abuse by running away at age seventeen and who survived the next five years supporting herself the only way she knew how—by selling her body. She ends up meeting and falling in love with a preacher. I think Lori Foster made Cyn understandable and sympathetic.
I enjoyed Toni Blake’s One Reckless Summer because of the questions it raised about right and wrong. The hero is harboring a convicted criminal and the heroine finds out about it. Should she turn them into the police? Or keep his secret? When is breaking the law the right thing to do? When is it right to keep a secret...tell a lie…or betray a trust?
Sandra Brown’s novel Play Dirty also raised a lot of questions about right and wrong, and took risks with potentially unsympathetic characters. The hero, Griff, has just been released from prison after serving a five-year sentence for racketeering. And yet we cheer Griff on and in the end, we understand why he did what he did, and what he learned about himself. Also, the heroine, Laura, is married to another man…and sleeps with Griff just to get pregnant, with her husband’s blessing. Why would Griff agree to such a thing? Why would Laura agree to such a thing?
Some people see these kinds of issues as black and white. Others see shades of grey. I've written a couple of books where the issue of cheating could be a discussion point (Love Me, which was the topic of discussion last week at Dear Author) and Lost and Found.) Most readers have given me positive feedback on Lost and Found, understanding the motivation that would lead these three people to begin a ménage relationship, but one reviewer did feel this was too close to cheating. In Lost and Found, Krissa has powerful motivation— a deep desperate longing for a child of her own, a husband who can't give her that and who won't agree to adoption, and who encourages her to have sex with another man so she can become pregnant. Is that cheating?
Part of it is character. I once had an editor who wanted me to change a character’s reaction to a particular event because that wasn’t what she (the editor) would do in that situation. I had to stay true to the character, though. Someone who is aggressive and confident will react differently in a given situation than someone who is meek and unassertive.
But when characters do things that we would normally consider very wrong, I think much of it has to do with motivation. Why would someone do that? If we can explain a character's motivation in a way that's believable and powerful, I would venture to say that there are very few actions we can have our characters commit that could not be depicted as understandable and sympathetic, even if we might react differently in the same circumstances. Yes, there are times when we read stories where we simply can't accept the motivations of the characters for doing what they do. In some cases, a writer may not have done a good enough job of setting out motivations.  But sometimes as readers we need to set aside our own reactions (as in, I would never do that and it is wrong) and accept that for that character, given her past experiences and values and goals and needs, it is understandable that she did that.
As writers, all we can do is stay true to our characters and depict the motivations the best we can, knowing that everyone views things through their own filters of experience and values and because of that there will always be some people who may not get that motivation.

Tuesday, May 10, 2011

Love's Savage Contest


So for those who have been hiking the Himalayas for the past week, let me fill you in. Last week marked the debut of the second Nine Naughty Novelists serial, Love’s Savage Whiplash—a regency tale of mistaken identity, mismatched twins, pirates, highwaymen, and a smartass ward named Ward (my personal favorite). And because we want to raise the fun quotient as high as possible, we’re also adding a contest to the general mix.

So what, you might ask, is the point of said contest? What can you win if you join in? Well, first of all there’s a ten dollar gift card at the online bookstore of your choice, awarded every month. And then there’s the grand prize, arrived at when seven of the Naughty Nine were nodding off over early morning coffee at RT—a beautiful cover for your e-book reader (I’d link a picture here, but we’re going to give you a cover for whatever your e-book reader might be). Not only that, but it will be signed by all Nine Naughty Novelists. An autographed e-book reader cover. Be the first on your block!

And what, you might ask again, must one do to be eligible for said e-book reader and/or said gift certificates? Simplicity itself. Leave a comment on the serial chapters we post OR hie yourself to our brand new Facebook page (link will be found on the column to the right) and quote your favorite line from the episode. That’s all. Random drawings will be held each month, with a grand drawing at the end of the serial. As I say, simplicity itself.

And in the spirit of Love’s Savage Whiplash, tell us your favorite regency tidbit. What’s your favorite regency romance and who’s your favorite regency author?

Monday, May 9, 2011

Facial Hair - Your Thoughts?

So, a few months back I wrote a post about chest hair and reader preferences, which led to quite an illuminating discussion in the comments.


But what about facial hair? What do readers prefer when it comes to their heroes? These are the sorts of questions that keep me up at night, they really do.


So I'm putting the question out there for comment. When it comes to facial hair, do you prefer your heroes:



clean-shaven?



with a little bit of scruff?




more of a five o'clock shadow?




a goatee?



or a full-on beard?

Enquiring minds want to know!


If you had to choose, what would YOUR pick be?

Friday, May 6, 2011

Love's Savage Whiplash Contest



LOVE'S SAVAGE WHIPLASH

THE CONTEST


Here at the Nine Naughty Novelists, we love to write. That's why we keep doing more serial stories, no matter how often powerful, dark forces within the government beg us to stop. (Just kidding. Hey, maybe that could be our next serial!)

BUT -- we also love our readers. So once again we're combining our two passions and offering prizes ... lots of them! ... along with our new Regency serial, LOVE'S SAVAGE WHIPLASH.

Every week, choose your favorite line from that week's installment. For instance, in the Prologue I cracked up over Lumiere's plans involving a chambermaid, a carpet beater and some rope. Go to our Facebook page (the link is directly to your right) and add it to the "discussion" board. You'll be entered into a random drawing for a $10 gift certificate from either Amazon or Barnes & Noble. Every month we'll draw a new winner.

You'll also be entered when you comment on the chapter here on the blog.

When the story ends, we'll award a Grand Prize of an eReader cover signed by each Naughty Novelist.

So, dear Reader, we beg you, put your maidenly shyness aside and boldly gird your loins. Venture forth into Facebook and declare your preference. Untold riches await your pleasure. We hope to have the great honor of your company Thursday next, when we unveil..

Chapter One: The Duke Takes a Powder.




Thursday, May 5, 2011

Love's Savage Whiplash, Part the First


Prologue: The Importance of Being Ornithological

In which a Disastrous Failure to Communicate occurs, resulting in a young Peer of the Realm suffering a Sudden and Egregious Change of Station.



Netherloin Park, seat of His Grace the Duke of Earl

Twenty years earlier…


Firth Darcy, the Ninth Duke of Earl was most decidedly not having a good day, even despite its being the fifth anniversary of that esteemed young gentleman's birth. At present, his grace could be found lying stretched fully out upon the floor of his bedchamber drumming his feet against the boards and loudly bemoaning his fate

Fate, in the person of his valet—and the loathsome flowered silk waistcoat that the duke had been given to understand must be put on, tout de suite, if he ever wished to be allowed to join his twin brother for tea—was unmoved by his grace’s distress. The duke's valet, a dour Frenchman who went by the name of Lumiere, was mostly deaf and possessed of very little English and was thus largely unmindful of the vulgar imprecations currently being flung at his head by his young charge. To be called a jingle-brained, chuckleheaded fatwit meant less than nothing to Monsieur Lumiere.

“I demand to know the reason for this bloody racket,” the duke’s uncle insisted, appearing at the doorway in a state of slight déshabillé. As usual, his arrival exerted a strange effect on the duke’s pet parrot, Pemberley, a venerable, lavender coloured creature who’d been passed on to the current duke, along with his title, his valet, and several other sundry items, on the occasion of his father’s demise.

“Murderer! Murderer!” the bird repeated, squawking loudly. It was a call he gave only when in the presence of the duke’s uncle and guardian, the Honorable Mr. Willoughby Wickham the fourteenth, and only since the death (under somewhat mysterious circumstances) of Mr. Wickham’s sister and brother-in-law, the late duke and his lady.

Sadly, this most curious behaviour on the part of the bird had, as of yet, completely failed to excite the interest of any member of the duke’s household. Had it been otherwise, we might have had a far different story to tell.

Undeterred by the parrot’s outburst, and determined to be heard above the bedlam, Mr. Wickham bellowed louder. “Lumiere! What is the meaning of this noise?”

“Eet eez Monsieur le Duc,” Lumiere answered in measured tones, disdaining to raise his voice in so ill-bred a fashion. However, to illustrate his point, he did condescend to gesture at the boy, still lying prone on the floor, even though it seems impossible to imagine that his uncle could have missed either seeing or hearing him. “He eez refusing to stand up so that I may assist him in donning his new waistcoat.”

“Well, if he won’t stand up then pick him up off the floor yourself and put the bloody garment on him! I want my tea and I don’t wish to have it held up any longer.”

Tres bien,” Lumiere replied, sighing resignedly. Already he was envisioning the punishment his tender shins were sure to receive from the duke’s vicious little heels. “Eef you insist.”

“I do.” Confident that his orders would be obeyed forthwith, Mr. Wickham turned to leave the room, but the jeers and catcalls of the parrot, still ringing in his ears, brought him back again. “And, Lumiere, when you’ve finished here, do something with that duck!”

Qu'est-ce que c'est?” Lumiere replied in somewhat justifiable confusion. “Do something with le Duc?” While it was true the valet understood only a modicum of English, he certainly could tell the difference between a parrot and a duck. The latter was frequently delightful when served a l’orange. The former was, culinarily speaking, neither comme il faut nor a la mode.

Unfortunately, the honorable Mr. Wickham was a product of a first-rate public school education. As such, while he knew quite a bit about a variety of subjects—notably horse racing, ballroom dancing and how to cheat at cards—he knew next to nothing about most others, ornithology included. As far as he was concerned, one bird was much the same as the next; jolly good fun to hunt, but of no earthly use whatsoever otherwise. And certainly not the sort of thing one expected to find in a proper gentleman’s bedchamber.

“What more do you weesh me to do with heem?” Lumiere inquired, feeling very much ill-used. He had time off coming to him this afternoon, and plans involving one of the upstairs chambermaids, a carpet beater and a length of rope.

“Toss him in the river,” came the answer. “I dare say a nice swim is just the thing to put the creature in better humour. Just see that he’s removed from this house before the hour is out.”

Nom d’un nom d’un nom,” Lumiere muttered, as Frenchmen of his station were wont to do, though not a one of them could likely tell you what the expression was supposed to mean. “Toss le Duc into the river?”

All in all, it seemed a very odd request for the young man’s guardian to be making, but what could one expect of the English who were, after all, a savage and unmannered race. Perhaps the exercise was intended to effect an improvement on the duke’s moods? Lumiere supposed anything that would reduce the boy’s lamentable propensity for throwing tantrums was worth a try.

And so it was that the duke soon found himself bundled in his warmest clothes (in deference to the unseasonably cool weather) being dragged across the lawn by his manservant. The parrot accompanied them, flying overhead and inexplicably intoning in sepulchral tones, “Nevermore, nevermore.”

Bon voyage,” Lumiere called as he pushed the child into the swiftly moving water. He watched the duke’s progress from the riverbank until the boy’s head bobbed out of sight. “Enjoy your swim, mon petit. Take care you don’t catch cold.”

***

A short while later, a thoroughly waterlogged boy was pulled dripping from the river several miles from the duke’s estate. “Why, what have we here?” his rescuer, an obvious rakehell, exclaimed, as he crouched in the grass beside the small form. “Speak up. What were you doing in the water?”

The boy lay limply on the cold ground and gazed back at him in silence, too exhausted to speak, or perhaps too frightened; the man’s clothing and manner clearly marked him as a dangerous and nefarious highwayman.

“Do you not have a name then, boy?”

“Duke of Earl!” a large, lavender parrot called from the branch of an overhanging tree. “Duke, duke, duke of Earl.” But, as was usual, the bird was completely ignored.

“So, you’re a mute, are you?” The highwayman gazed thoughtfully at the boy, noting his clothing was of exceptionally good quality and cut. It should bring in a pretty penny when sold. “Oh, well, I suppose there’s no harm in that. Children should be seen and not heard in any event, so your silence does not signify in the slightest. I have not the patience to deal with rattle-pates and gabsters anyway. As it happens, I need a quiet, well-behaved servant boy to do my bidding. I imagine you’ll serve quite nicely in that regard. I shall call you Westley.”

“But my name’s not Westley,” the duke, for it was indeed he, exclaimed, finally finding his voice. “And if you please, sir, I’m not a servant, I’m a duke.”

The highwayman smirked, not believing the boy for an instant. “Are you really? How splendid!” Standing, he executed a deep bow. “I am, of course, honored to meet you, your Grace. But, as to the other matter, I’m afraid you’ve not much choice. I’ve saved your life, you see. Therefore, whatever you were before, you belong to me now. So, enough of this lazing about. Come along. We’ve a coach to rob.”

“You’re a highwayman, aren’t you?” the boy asked, exhibiting no small excitement as he, too, climbed to his feet. “Am I to be one too?”

“Indeed you are. For I am the Dread Highwayman Roberts and you, if you live long enough, may one day take my place.”

The boy fell silent for a moment as he turned the idea over in his head. “May I still keep the parrot?”

“What, that old thing?” The highwayman gazed critically at the bird, wondering what price it might bring in. “Does it have much life left in it?”

“I shouldn’t think so,” answered the duke. “It’s been in the family for ever so long. Ages, really.”

“And does it know to keep quiet when you tell it to?”

“Not hardly. He squawks all the time, particularly when my uncle’s about.”

The highwayman smiled. “Then it wouldn’t be a very good pet for a highwayman to keep, now would it? Besides, only pirates have parrots—everyone knows that. But if you’re a good lad and do as you’re told, perhaps I’ll get you a ferret one day. How’d you like that?”

The duke shrugged. “I don’t know. Never had a ferret.”

“Oh, they’re all the crack,” the highwayman promised. “Top of the trees, they are, and quite the height of fashion. Best of all, they never tell your secrets.”

***

As one might expect, the honorable Mr. Wickham was a good deal distressed when news of the duke’s disappearance and apparent demise was brought to his attention. Why, for the first half hour or so the gentleman was quite beyond the reach of consolation. His spirits were absolutely sunk in the very depths of despair; which state, it must be said, bore a very great resemblance to that achieved by dipping rather deeply into a bottle of gin.

After all, it was not just his nephew, and his position as conservator of the young man’s estate, that he stood to lose. Should his part in this regrettable tragedy ever come to light, he also risked the rather large annual stipend and the prestige that went with said position as well as, not inconsequentially, his life. His deliverance from the worst and most unpleasant of these consequences was due in no small part to his late sister’s efficiency in having presented her lord and master with both an heir and a spare at one stroke.

The duke’s twin brother, Colin by name, although he was possessed of a much more amiable temperament, bore a more than passing—indeed, some might even have termed it shocking—resemblance to his noble sibling. There was, in fact, only one sure method by which the brothers might be told apart and that was by way of the matching birthmarks they displayed on extremely sensitive portions of their anatomy (i.e., upon the left buttock cheek of one brother and the right cheek of the other).

It may also be worth noting that when the two boys stood side by side these curious and improbable marks lined up in such a fashion as seemed to present a very rude picture—that of two ducks engaged in illicit congress. Even more remarkable (although, of course, completely unrelated to our tale) is the fact that this very same image also appeared on the ducal crest.

Due to the boys’ tender age, they had not yet been presented at Court. It was, therefore, not widely known that the duchess had given birth to twins. Indeed, it would have been considered quite scandalous to even speak of such matters in polite society. And so, as Mr. Wickham was quick to perceive, in his nephew Colin he had the means to effect a most infamous switch without anyone’s ever being the wiser.

To be sure, the knowledge that he was, without doubt, behaving in an ungentlemanlike manner did cause Mr. Wickham a moment’s pause. But only the one moment, and then he was over it. Since his duplicity would serve, and quite neatly too, to save his aristocratic bacon (to say nothing of his neck!) he chose not to refine upon it overmuch.

And so begins our story.

***
A Word to you, Our Dear and Gentle Readers: If you enjoyed this small offering, please do us the honor of returning to grace our humble blog with your presence one week hence, when we shall be delighted to bring to you the next installment of our little saga, which is to be entitled, Chapter One: The Duke takes a Powder.

Cordially,

The Naughty Nine